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The Witcher: Blood Origin Review: is It Confirmed for Season 4?

In fantasy stories, limbs tend to grow quickly. For a show like “The Witcher” on Netflix, aggressive expansion makes sense. After all, what’s the point of making a huge story universe if you don’t explore it? So it can be hard to tell if a fantasy spinoff series is a worthwhile journey that adds to the enjoyment of the original, or if it’s just a quick way to cash in on the show’s popularity without getting to the heart of it. “The Witcher: Blood Origin” is somewhere in the middle, but it leans more toward being a boring brand expansion. The four-part prequel not only doesn’t have Henry Cavill, but it also doesn’t have a clear sense of what it’s all about.

“Blood Origin” jumps back 1200 years before the original series, even before 2021’s animated prequel “Nightmare of the Wolf,” to explore some of the most intriguing parts of “Witcher” mythology. It will look at how the first Witcher was made, which was caused by the Conjunction of the Spheres when different worlds collided and forced mortals, monsters, and mages to live together awkwardly in a multiverse.

The Witcher: Blood Origin Review

The first episode starts in the middle of a bloody battle, and the first line of dialogue is a string of F-bombs. The line sounds like it was taken from an old Diablo Cody screenplay, and not many of the franchise’s characters could pull it off. The good news is that it comes from the fan-favorite Jaskier (Joey Batey), whose ghostly vision of Seanchai (Minnie Driver) is the main structure of the show. She shows up in the middle of a bloodbath to tell Jaskier the Witcher’s origin story and introduces him to all of its many characters.

First up is Éile, played by Sophia Brown, who quit her job as a royal guard to become a traveling musician. (Her songs are good, but there’s nothing like “Toss a Coin to Your Witcher” on there.) She meets Fjall, played by Laurence O’Fuarain, who used to be a royal guard but lost his job after a big mistake. After a bad first meeting, Éile and Fjall work together to get revenge on Princess Merwyn (Mirren Mack), a puppet monarch put in place by a violent coup. Their goal is to get rid of her.

The two put together a classic group of seven elves, each of whom has their own reason for joining the fight against Merwyn. The most interesting are Scian (a royal Michelle Yeoh), a swordmaker who fights for her dying tribe, and Meldof (an excellent Francesca Mills), a wild killer whose thirst for revenge often looks like nihilism. The quest moves along at a good enough pace, but there’s a big hole in the show without Geralt of Rivia, played by Henry Cavill, or another character with the same amount of value.

What should be “Blood Origin’s” biggest strengths, the cast, and the short length, turn out to be its biggest flaws? Since there are so many characters to take care of and too much time is spent on Éile and Fjall’s weak and unconvincing romance, the most interesting ones get lost. Even though the portions are small, the show is better off with familiar faces like Yeoh and Driver. But their presence becomes annoying quickly when it becomes clear that they won’t have nearly enough to do.

The Witcher: Blood Origin Review

As for the length, four hour-long episodes seem right for a prequel series that is so obviously meant as a high-protein snack to tide fans over until Season 3 of “The Witcher” comes out next year. This will be Cavill’s last season in the role before Liam Hemsworth takes over. “Blood Origin” comes out on Christmas Day, which is exactly when both seasons of “Witcher” came out. But there are only four episodes left of the show’s original six-episode order. The producers say this is because they had an idea after the show was made to shorten the middle hours. That makes sense in theory, but the show’s many dead ends and general lack of focus make it hard not to think that “Blood Origin” is just “Witcher” stuffed into a five-pound saddlebag.

Some parts of “Blood Origin” are fun for a short time, like the fight scenes and an early heist scene that are edited well. The quality of the visual effects has gone up, making battles easier to enjoy than ever before. This is an improvement over Season 2, which was an improvement over Season 1. Even though the visuals aren’t as clean as they could be, they never get in the way or take you out of the story, which is more than you could say about early “Witcher” episodes. But overall, “Blood Origin” is to “The Witcher” like a sloppy downloadable expansion pack is to the “Witcher” video games, which are very popular. You need to be a completist to apply.

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Is The Witcher 4 confirmed?

The Witcher 4 has been officially announced, and while we’re excited, we’re not at all shocked. There have been many rumors that CD Projekt Red will make another Witcher game, and the studio has talked about the idea more than once.

The four-part prequel not only doesn’t have Henry Cavill, but it also doesn’t have a clear sense of what it’s all about. “Blood Origin” jumps back 1200 years before the original series, even before 2021’s animated prequel “Nightmare of the Wolf,” to explore some of the most intriguing parts of “Witcher” mythology.

Final Words

Netflix’s The Witcher: Blood Origin focuses on the inner workings of autocracy. Lenny Henry plays Balor, a scheming druid whose support for an austerity government hides a deep-seated inadequacy. The show’s take on the idea of benevolent dictatorship is nicely dismissive. Blood Origin shows what it’s like to be on the wrong end of oppression better than most stories about vengeful tribes colonizing each other. The swearing-in Blood Origin is used in a playful way to show we shouldn’t take anything too seriously.

“Blood Origin” shows what it’s like to be a survivor of oppression better than most stories about vengeful tribes. Four-part prequel explores some of the most intriguing parts of “Witcher” mythology. The Witcher 4 has been rumored to be coming from CD Projekt Red.